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JULY 2010 NEWS ARCHIVE Miss Aniela: Self Gazing » |
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JULY 2010 NEWS ARCHIVE Sub Saharan Journeys: John Kenny » |
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JUNE 2010 NEWS ARCHIVE Venice Polaroids: Mike Hoban » |
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MAY 2010 NEWS ARCHIVE Richard Rowland: Urban Fictions » |
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APRIL 2010 NEWS ARCHIVE Caroline Irby: A Child from Everywhere» |
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MARCH 2010 NEWS ARCHIVE Simon Roberts: We English » |
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FEBRUARY 2010 NEWS ARCHIVE Including 'Inscape' by Anna Heinrich & Leon Palmer » |
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JANUARY 2010 NEWS ARCHIVE Including Cuba by Clive Frost » |
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DECEMBER 2009 NEWS ARCHIVE Including Trebor Wills August » |
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NOVEMBER 2009 NEWS ARCHIVE Including Trevor Scobie's Critical Mass » |
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OCTOBER 2009 NEWS ARCHIVE Including Mike Holban's Encomium » |
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SEPTEMBER 2009 NEWS ARCHIVE Including Brighton University MA graduation show and Floorplan by Peter Bobby » |
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AUGUST 2009 NEWS ARCHIVE Millie Burton - Home Improvements » |
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JULY 2009 NEWS ARCHIVE Including Incandescence by Maeve Berry & Neurotica, by Miss Aniela » |
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JUNE 2009 NEWS ARCHIVE Shifting Perspectives » |
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MAY 2009 NEWS ARCHIVE Landscapes: Intervals and Displacements by Sachiyo Nishimura » |
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APRIL 2009 NEWS ARCHIVE Including Attentional Landscapes by Odette England » |
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MARCH 2009 NEWS ARCHIVE Including Light after Dark - Toby Smith » |
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FEBRUARY 2009 NEWS ARCHIVE Including Tif Hunter - Cars in a white room » |
With Home Improvements Millie Burton presents an observation of domestic waste in the context of environmental crisis. Every weekend consumers queue up at recycling centres around the UK to dump items they once queued to acquire. In most cases it’s not that these objects have ceased to function, just that they have fallen out of step with their owners’ aspirations; the Trinitron replaced by a plasma, the “champagne” bathroom suite swapped for something more estate-agent friendly. Desire quickly turns to disappointment and these once state-of-the-art objects make the cycle from showroom to dump in a matter of years. Yet, while the emotional durability of such products may be short-lived, their physical robustness means they will languish in landfill for centuries to come. Huddled together in their multiplying numbers, these disowned televisions, sinks, fridges and washing machines are surreal monuments to the fickle tastes of the market and ominous portents of an unsustainable future. Individually they tell another story, their stickers and stains revealing clues to former existences in households they once served.
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