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JUNE 2010 NEWS ARCHIVE Venice Polaroids: Mike Hoban » |
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MAY 2010 NEWS ARCHIVE Richard Rowland: Urban Fictions » |
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APRIL 2010 NEWS ARCHIVE Caroline Irby: A Child from Everywhere» |
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MARCH 2010 NEWS ARCHIVE Simon Roberts: We English » |
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FEBRUARY 2010 NEWS ARCHIVE Including 'Inscape' by Anna Heinrich & Leon Palmer » |
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JANUARY 2010 NEWS ARCHIVE Including Cuba by Clive Frost » |
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DECEMBER 2009 NEWS ARCHIVE Including Trebor Wills August » |
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NOVEMBER 2009 NEWS ARCHIVE Including Trevor Scobie's Critical Mass » |
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OCTOBER 2009 NEWS ARCHIVE Including Mike Holban's Encomium » |
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SEPTEMBER 2009 NEWS ARCHIVE Including Brighton University MA graduation show and Floorplan by Peter Bobby » |
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AUGUST 2009 NEWS ARCHIVE Millie Burton - Home Improvements » |
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JULY 2009 NEWS ARCHIVE Including Incandescence by Maeve Berry & Neurotica, by Miss Aniela » |
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JUNE 2009 NEWS ARCHIVE Shifting Perspectives » |
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MAY 2009 NEWS ARCHIVE Landscapes: Intervals and Displacements by Sachiyo Nishimura » |
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APRIL 2009 NEWS ARCHIVE Including Attentional Landscapes by Odette England » |
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MARCH 2009 NEWS ARCHIVE Including Light after Dark - Toby Smith » |
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FEBRUARY 2009 NEWS ARCHIVE Including Tif Hunter - Cars in a white room » |
In 2006 John Kenny began a series of journeys that would take him through hundreds of Sub-Saharan Africa’s most remote communities and 12 African countries. Capital Culture will be exhibiting his most recent stunning and intimate portraits from Ethiopia and Namibia at 3 Bedfordbury gallery in Covent Garden, London, during July 2010.
The work highlights Africa’s nomadic and semi-nomadic pastoralists. Over centuries these societies have
adapted perfectly to the scarcity of pasture and water in their regions and have managed to flourish. External pressures in the 21st century such as the spread of urbanization and droughts that have increased in severity and frequency threaten the continued viability of their ways of life. These are stakeholders in the earth’s climate who have literally everything to lose if rainfall uncertainty continues.
John’s style of portraiture is achieved without using flash or studio equipment; he simply uses natural light
reflected from the ground. This illumination, subtle in intensity & effect, reaches gently inside the darkness of a village hut to shape compositions that are both striking and beautifully simple.
The exhibition is the result of hundreds of hours walking, hitching, and journeying with Africans and their
animals. It is a celebration of Africa, of Africans, and a reminder of the vibrant cultures that are now in
danger of disappearing forever.
www.capitalculture.eu
www.john-kenny.com
